By cryptoadmin 
How do you observe up a product that has reigned because the king of mirrorless cameras for the final 4 years? For Sony, the reply with the A1 was easy: simply enhance all the things. The result’s the $6,500 A1 II, a strong pro-level hybrid mirrorless digital camera that’s Sony’s greatest up to now.
The A1 II is supplied with a 50-megapixel stacked sensor, not a worldwide sensor just like the A9 III, so it’s not fairly as quick. Nonetheless, its mix of pace and determination makes it probably the most versatile digital camera in Sony’s lineup. It additionally impresses on the video aspect with 8K 30 fps 10-bit seize, together with 4K slo-mo at as much as 120 fps.
I count on so much out of a Sony flagship digital camera, although, and whereas the A1 II has a lot of small enhancements, there’s nothing terribly revolutionary. It’s additionally up towards spectacular (and cheaper) competitors just like the $4,300 Canon EOS R5 II and $4,000 Nikon Z8. Plus, there’s the equally priced pro-level Canon R1 and Nikon Z9. So regardless of its strengths, I discovered Sony’s new flagship to be barely disappointing.
Physique and dealing with
The A1 II is Sony’s best-handling digital camera up to now. By way of design and management placement, it’s practically an identical to the corporate’s high-end A9 III. At 743 grams (1.64 kilos), it’s heavier than the 617-gram (1.36 pound) A1, however nonetheless a featherweight in comparison with different skilled fashions just like the three-pound Z9. The brand new grip has barely softer supplies and extra rounded contours, so it’s extra comfy and safe to carry than the hard-edged A1. That’s an enormous assist to working professionals with heavy lenses.
When you like guide controls, the A1 II is a dream. It has three main dials, in comparison with simply two on rival flagships. There’s a mode selector ring to decide on photograph, video and so-called Gradual & Fast modes, together with a dual-control wheel for each taking pictures and autofocus. Round again, there’s yet one more dial, plus a joystick and quite a few customizable buttons.
The A1 II’s menu system has been refreshed to match the A9 III. It now affords a “dwelling” setting to your most-used options, and all the things is neatly organized into sub-menus. Sony additionally added an easy-to-use part for customizing buttons, dials, the fast menu and extra.
Regardless of the value distinction, it’s pure to check the A1 II’s design and setup with the Canon R5 II as each are high-performance, high-resolution cameras. The R5 II does really feel a bit nicer due to the extra rounded form and softer supplies. However the A1 II has a bigger array of controls, so it’s simpler and quicker to shoot with it when you get used to them. Sony additionally has a extra intuitive menu system that makes it simpler to search out key settings.
Then there’s the A1 II’s elegant digital viewfinder (EVF). Although it has the identical decision because the A1 at 9.44 million dots, it not drops in decision at its default 120 fps body price. With that, it’s so sharp and shiny that it blows away any argument for an optical viewfinder. Sony even offers two eyepiece cups, together with what it calls a “squishy” choice that molds round your eye to dam out gentle, giving me a totally immersive expertise. With all of that, that is simply the most effective EVF I’ve ever used.
Vloggers complained in regards to the lack of a totally articulating show on the A1. Sony addressed that by outfitting the A1 II with a shiny, 3-inch, 2.1-million-dot display screen that not solely tilts up and down but additionally absolutely swivels — superb for each photographers and content material creators.
As earlier than, the A1 II has a twin card slot system with assist for each SD UHS II and (sigh) Sony’s CFexpress Kind A playing cards that nobody else makes use of. These are quicker than SD, however not as quick because the CFexpress Kind B slots discovered on the R5 II, Z8 and others.
The Z-type battery delivers an honest 520 photographs on a cost, which is simply barely lower than the 530 on the A1. It comes with a pleasant array of ports, together with full-sized HDMI and high-speed USB-C 3.2 Gen 2 that enables fast 10Gbps file transfers. You additionally get mic and headphone ports, a 2.5 Gbps ethernet connection and a flash sync port. Even the Wi-Fi was upgraded with 2×2 MIMO assist that enables 2.5Gbps switch speeds as a substitute of 1Gbps as earlier than.
Efficiency
The A1 II is the quickest high-resolution digital camera out there, letting you hit burst speeds as much as 30 fps when taking pictures RAW with steady autofocus enabled in digital mode, or 10 fps with the mechanical shutter. These speeds match or beat its predominant rivals, however aren’t an enchancment over the four-year-old A1. That’s a little bit of a shock, provided that the A1 II has a a lot quicker Bionz XR picture processor borrowed from the A9 III.
The autofocus is an enormous enchancment, although. It locks onto topics faster than earlier than, so I noticed fewer out-of-focus photographs when firing off bursts. The A1 II additionally has Sony’s newest algorithms and AI options from the A9 III that make subject-recognition quicker and extra user-friendly. It may now acknowledge human our bodies, faces and eyes, together with animals, birds, bugs and a number of other forms of automobiles. On prime of that, the A1 II is Sony’s first digital camera to robotically determine these topics so that you don’t should tediously choose them your self. In different phrases, in case you’re photographing birds and occur to see a bear, you gained’t waste worthwhile time switching modes.
Sony is a bit late to the sport with this auto topic choice, as Canon and different manufacturers have had it for some time. Nonetheless, the A1 II has the most effective implementation I’ve seen up to now, because it chooses and locks onto topics extra shortly. Like different cameras, it may well get tripped up in conditions with a number of topics, sometimes choosing the improper one. With human topics, Canon has an edge due to its face-memorization characteristic on the R1 and R5 that can at all times attempt to lock onto a selected particular person.
Whereas the A1 II has each a mechanical and digital shutter, the stacked sensor’s quick readout speeds imply you should utilize the latter nearly completely. Even in sports activities like golf with excessive pace actions, skewing and distortion isn’t a problem when utilizing the digital shutter, and you may shoot pictures silently with out disturbing individuals.
Pre-capture is a key new characteristic, letting you retain as much as 70 frames when half-pressing the shutter button, earlier than absolutely urgent it. That reduces the percentages of lacking a decisive second in a scene.
On the subject of stabilization, the A1 II additionally represents a primary for the corporate. It affords 8.5 stops, beating the A9 III by a half-stop and matching the EOS R5 II and R1. Because of that, I used to be in a position to nail sharp pictures even at ridiculously gradual shutter speeds, like a full second. That’s superb when you want to shoot in low gentle or intentionally blur shifting topics with out utilizing a tripod.
Whereas the A1 II is fast, it didn’t deliver the generational leap I anticipated in comparison with a four-year-old digital camera. My skilled photographer pals (who already personal A1s) felt the identical approach and gained’t be upgrading.
Picture high quality
The A1 II is not only quick, but additionally delivers excessive decision, and that mixture is why you pay the massive bucks. Photos are sharper than simply about any full-frame digital camera, apart from Sony’s personal A7R V. Dynamic vary is superb and colours are correct when taking pictures JPEGs, although I choose Canon’s hotter pictures straight out of the digital camera.
The brand new mannequin has the identical sensor because the A1, however Sony managed to spice up dynamic vary very barely at increased ISOs. Because of this, you get minimal noise as much as round ISO 6,400 and pictures are very usable at ISO 12,800. That is excellent for a 50MP digital camera, and higher than Canon’s EOS R5 II. Past that, and as much as the digital camera’s most ISO 32,000, noise begins to turn out to be distracting.
RAW information give photographers ample room to dial down blown out highlights or enhance element in shadow areas. When you want the utmost quantity of dynamic vary, you’ll wish to shoot utilizing the lossless compressed RAW format, as lossy compressed RAW information are noticeably worse in extremely detailed pictures. The draw back to the latter is that taking pictures them limits burst speeds to twenty fps and fills your reminiscence card a lot quicker.
Whereas picture high quality is excellent, it’s not a lot of an enchancment over the A1. For studio and panorama photographers who worth picture high quality above all and already personal an A1, the A1 II possible isn’t definitely worth the funding.
Video
On paper, the A1 II is a powerhouse for video, providing as much as 8K 30 fps recording and 4K 60 fps(as much as 4K 120 fps with no sound), with 10-bit log taking pictures out there. It comes with a brand new characteristic that permits you to load customized LUTs when taking pictures in log (S-Log3) mode, so you possibly can higher choose your publicity. It additionally has a setting that permits you to higher match footage with Sony’s skilled cinema cameras. That’s on prime of the opposite enhancements I already talked about, just like the absolutely articulating show and upgraded stabilization, which can be additionally useful when recording video.
Autofocus is way improved with extra dependable monitoring of shifting topics, as I discovered when taking pictures a fast-moving soccer occasion. It additionally helps the identical topic monitoring modes out there when capturing pictures (eyes, faces, our bodies, birds, animals and automobiles).
Wanting nearer, although, the video capabilities are barely disappointing. Not like the less expensive Nikon Z8 and Canon EOS R5 II cameras, the A1 II doesn’t provide inside RAW recording, presumably as a result of the CFexpress Kind A slots can’t deal with the required bandwidth. That may make an enormous distinction with video high quality and the power to regulate colours and ranges when enhancing.
Nonetheless, when recording 8K or 4K 10-bit log video on the highest knowledge charges, picture high quality and dynamic vary are stable. The S-Log3 and 10-bit options give content material creators loads of room to tweak footage shot in dim interiors or a shiny sunny day.
The in-body stabilization could also be the most effective I’ve seen on any digital camera up to now. The optical mode does a fantastic job eradicating any hand jitters in case you don’t transfer round an excessive amount of. And for strolling or working, the digital stabilization (not out there in 8K) offers close to GoPro-like smoothing, with not one of the sudden jolts seen on different fashions. When you do want to maneuver the digital camera shortly, rolling shutter is normally a non-issue. I solely noticed any distortion when taking pictures 8K video, and even then, it was minimal.
Wrap-up
The A1 II is an superior digital camera and close to the highest of the meals chain when it comes to pace and energy. Almost each facet has been improved over the A1, together with the stabilization, physique design and autofocus.
Nonetheless, the innovation that Sony is understood for is missing right here, and on prime of that, the A1 II is very costly. With that taken into consideration, I believe it falls brief. The A1 II is barely a light improve over the A1 and relating to video, it’s lagging behind the Nikon Z8 and Z9 in addition to the Sony R5 II.
If you have already got the A1, I don’t assume the A1 II affords sufficient additional to justify a brand new funding. And anybody who’s extra severe about video ought to think about both the Canon R5 II or Nikon Z8, as each provide higher-quality RAW video at as much as 8K 60p for much less cash. Nonetheless, for professionals or severe amateurs going into the A1 lineup for the primary time, who give attention to pictures and don’t have any qualms in regards to the $6,500 value, the Sony A1 II is a superb choose.
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